Damn, but I really liked these guys back in the day. Until I saw this CBC clip, I never knew how they got their name.
And of course, one of my favourite songs. Hold Back the Rain.
One of my many guilty pleasures.
Filed under: Music Tagged: Duran Duran, The DWR Friday British Pop Interlude
The Suite bergamasque is one of the most famous piano suites by Claude Debussy. Debussy commenced the suite in 1890 at age 28, but he did not finish or publish it until 1905.
The Suite bergamasque was first composed by Debussy around 1890, but was significantly revised just before its publication in 1905. It seems that by the time a publisher came to Debussy in order to cash in on his fame and have these pieces published, Debussy loathed the earlier piano style in which these pieces were written. While it is not known how much of the (Read more…)
One of the things I want to discuss in our upcoming CPLUG workshop is how to read tab sheet music. In this post I’ve give you some pointers so you can practice on your own. It’s worth learning to read tabs because it gives you the ability to play melodies and solo pieces without having […]
Here’s a song for radicalized Canadians to sing.
I’m white and scared (clap clap) They want my guns (clap clap) And veils are wrong (clap clap) Except on nuns! (clap clap)
“I’m white and scared (clap clap) you know it’s true (clap clap) I’m scared of terror (clap clap) Because I’m a tool (clap clap).”
— Hat tip to Jay Bird
Inside your pretending Crimes have been swept aside Somewhere where they can forget
Divine upper reaches Still holding on This ocean will not be grasped All for nothing
Did you really want Did you really want Did you really want Did you really want
Refuse to surrender Strung out until ripped apart Who dares, dares to condemn All for nothing
Did you really want Did you really want Did you really want Did you really want
I think melancholy might sound something like this.
Filed under: Music Tagged: Mysterons, Portishead, The DWR Friday Muscial Interlude
. . . → Read More: Dead Wild Roses: The DWR Friday “Trip-Hop” Musical Interlude – Portishead
It’s official: the Canada Ukes ukulele festival will be held right around the corner from Collingwood: in Midland at the Midland Cultural Centre, May 22-24. Three days of ukuleleness, featuring Ralph Shaw, Stevie McNie (leader of Toronto’s Corktown Ukulele), The Skinnydippers and others. Performances, jams and workshops galore! Vendors, too. Early bird tickets for the […]
I just returned from Orangeville where Broadway Music hosted a two-and-a-half hour musical workshop this Saturday by Manitoba Hal today (which will be followed by his concert tonight from 8-11 p.m. – try to attend, if you can: he’s very talented). Very informative and well worth attending. Interestingly, at least half the participants were my […]
Couperin was born in Paris. He was taught by his father, Charles Couperin, who died when François was about 10, and by Jacques Thomelin. In 1685 he became the organist at the church of Saint-Gervais, Paris, a post he inherited from his father and that he would pass on to his cousin, Nicolas Couperin, and other members of the family. In 1693 Couperin succeeded his teacher Thomelin as organist at the Chapelle Royale (Royal Chapel) with the title organiste du Roi, organist by appointment to Louis XIV.
In 1717 Couperin became court organist and composer, with the title ordinaire (Read more…)
I enjoy many musical modes of expression – this isn’t one of them – but performing good music despite technical limitations is a worthy undertaking.
And really, the V is only a few steps away from the trombone…
Filed under: Music Tagged: The DWR Friday Musical Interlude
The Sonata for Two Pianos in D major, K. 448 is a piano work composed in 1781 by Wolfgang Amadeus Mozart, at 25 years of age. It is written in strict Sonata-Allegro Form, with three movements. The sonata was composed for a performance he would give with fellow pianist Josephine von Aurnhammer Mozart composed this in the “galant” style, with interlocking melodies and simultaneous cadences. This is one of his only formal compositions for Two Pianos exclusively.
Allegro con spirito
The first movement begins in D major, and sets (Read more…)
. . . → Read More: Dead Wild Roses: The DWR Friday Classical Music Interlude – Mozart, Sonata for Two Pianos, K 448, first movement
Annnnnd we’re back!
February’s Band of the Month is Eytan Tobin. Admittedly, I know very little when it comes to electronic music. But I know what I like when I hear it, and Toronto’s Eytan Tobin‘s blend of hip-hop, dance, and electronic keeps me checking his Soundcloud regularly for the most recent release. From patient, hypnotic, rainy-urban-alleyway loops, to soulful and uplifting, electric, synth-layered crescendos, provoking head-bobbing satisfaction is this guy’s game.
Hear it for yourself….
Band of the Month by Greg O’Toole
It would have been more of a tribute if the puck was dropped by a disabled vet. https://t.co/mQIN0NKFf1 #cdnpoli pic.twitter.com/um7HxKoinb
— Stephen Lautens (@stephenlautens) February 8, 2015
I’m seeing alarming tweeted images of military men taking over a Maple Leafs game with weapons drawn.
Oh wait, it’s a gimmick. Well then.
— kevin harding (@kevinharding) February 8, 2015
“What would Stompin’ Tom say to this?” Possibly:
Hello out there, we’re on the air, it’s military time, The camo’s out, let’s give a shout They’re stopping every dime. Tension grows, & the fans are all insane, The (Read more…)
Filed under: Music Tagged: Bach, The DWR Friday Baroque Interlude
Les Barricades Mystérieuses (The Mysterious Barricades) was composed in 1717 for the harpsichord by François Couperin. It is the fifth piece in his “Ordre 6ème de clavecin” in B-flat major from his second book of collected harpsichord pieces (Pièces de Clavecin).[ It is emblematic of the style brisé characteristic of French Baroque keyboard music.
Les Barricades Mystérieuses was originally published with the spelling Les Baricades Mistérieuses [“single r” in the first word, and “i” rather than “y” in the second word]. All four possible spelling combinations have since been (Read more…)
The Collected works of Simon and Garfunkel was my very first CD purchase. Let me assure you that all three of those disks saw a great deal of rotation back in the day (1987ish onward). The third disc was my favourite back then, as it was the most ‘modern’ of the trio and “Cecilia” was track number 3 and also one of my favourites.
I like what these intrepid soundcampers brought to the table with some coffee cups, rich harmonies and of course beans to shake all about.
One of the problems they had is that many (Read more…)
I spent the past couple of weeks diligently working on updating and expanding our Collingwood Public Library Ukulele Group (CPLUG) songbook. I’m happy to announce it is completed – and that I can get back to my regular blogging. I had put together two smaller songbooks previously for group use, as well as sent along several […]
There is so much anger and frustration over the racism that seethes in the United States. Flash points like Ferguson, Missouri are about communities rising up in the face of injustice and demanding a better place to live in. Their stories, their feelings, the keen edge of their Weltschmerz is evident in this song.
Music can be revolutionary, let us hope that we can work toward their vision – toward a just society for everyone.
Filed under: Music, Politics Tagged: “Glory”, Common, ferguson, John Legend, Michael Brown, The DWR Friday Musical Interlude
. . . → Read More: Dead Wild Roses: The DWR Friday Musical Interlude – John Legend: Featuring Common
Nine Inch Nails has some great songs, this happens to be one of them. I swam through google and found some sheet music that seems to be pretty close to what Reznor sings and plays.
The music isn’t to difficult and that is saying quite a bit considering my skill at playing the piano. However, this song is syncopated all to hell and sprinkled with dissonances that you have to sing like you mean it.
For instance, the piano accompaniment (B minor in my score) starts with an F# and the vocals start with an F natural. (Read more…)
Although the circumstances behind Bach’s composition of three Sonatas for harpsichord and viola da gamba (BWV 1027-29) are unknown, recent research indicates that they were most likely written in the early 1740’s, when the greatest virtuosos of the viola da gamba were long a thing of the past. No original source combines all three sonatas into a cycle, but a single score of the Sonata in G Major (BWV 1027) that details performance instructions for ornamentation and articulation supports the idea that Bach wrote the sonatas for Carl Friedrich Abel, the son of Cöthen colleague Christian Ferdinand Abel, for performance during (Read more…)
Concerto III in D major, BWV 1054 Allegro Adagio e piano sempre Allegro
Scoring: harpsichord solo, violin I/II, viola, continuo (cello, violone)
Length: c. 17 minutes
The surviving violin concerto in E major, BWV 1042 was the model for this work, which was transposed down a tone to allow the top note e”’ to be reached as d”’, the common top limit on harpsichords of the time. The transcription process was based on the same principles as BWV 1053.
Filed under: Music Tagged: Bach, Concerto No.3 – D Major, Harpsichord, The DWR Friday Baroque Interlude
. . . → Read More: Dead Wild Roses: The DWR Friday Baroque Interlude – Bach Harpsichord Concerto No.3 in D major, BWV1054
Merry Christmas Charlie Brown!
On Dec. 9th, 1965 – 49 years ago – nearly half of the US population tuned in to A Charlie Brown Christmas by Charles Schultz, an animated broadcast that featured the music of the Vince Guaraldi Trio.
Prior to its debut, producers were worried it was too religious, and the soundtrack was too jazz cutting edge for children’s programming. Were they ever wrong! 15 million homes had eyes glued to that broadcast, and it has since become an iconic Christmas classic.
Jerry Granelli, a drummer and a long time native of Halifax, NS is the only (Read more…)
I’m not really sure what CBC music was going for here (I suspect Christmas “cheer” was involved), but it does reek of Canadiana. Slightly painful, but given all the holiday music that we are subjected to, this isn’t all that bad.
Filed under: Music Tagged: 12 Ehs of Christmas, Canadian Content, CBC Music, Cringe Worthy in a good way.
Greetings loyal readers. This is the time and space where I get to curate a musical experience for you (who knew “curate” had become a verb). So, as an atheist finding good tunes during this particular time of year can be challenging; but not impossible. So today I present to you two works, one choral and one piano choral piece. Both are fine works, but I think you’ll find “White Wine In the Sun” Both humourous and touching at the same time.
But first, a choral work with the libretto taken from the collected works of (Read more…)