Cootie Catcher, written and performed by Lucas Brooks, focuses on Brooks’ close encounters of the transmissible kind. Using a cootie catcher, better known to some as a fortune teller, Brooks regales the audience with tales of all the times he thought he had been exposed to one STD or another, while simultaneously exploring his sexual . . . → Read More: Art Threat: Montreal Fringe: Three for the road
As an American expat unfamiliar with the pop-cultural aspect of Canadian politics, a lot of the jokes in Laureen: Queen of the Tundra went over my head. However, it is to the performers’ credit that this did not distract from their commentary about the fluidity of gender and culture, against the rigidity of modern politics.
. . . → Read More: Art Threat: Montreal Fringe: Laureen: Queen of the Tundra
The New Conformity, from Vancouver circus troupe Cause & Effect, is on its most immediate level a direct commentary on contemporary corporate culture.
The performers, clad in identical grey suits, use juggling and physical comedy to tell the story of one man’s rebellion against imposed monotony, which begins with the revelation that he is wearing . . . → Read More: Art Threat: Montreal Fringe: Non-conformist jugglers, Mrs. Pirandello, and intense performance art
2056: A Dystopian Black Comedy takes place in a near-future Canada, controlled by an authoritarian regime known as the Helpers who have, in the wake of an atheist Reckoning, abolished all religion and languages other than English. Like other dystopias, it is based on controlled fear.
Written by Keir Cutler and directed by Jon Lachlan . . . → Read More: Art Threat: Montreal Fringe: Dystopia, misogyny, and carrés rouges
No bullshit, just coffee: Kyle Allatt performs The No Bull$#!% History of Canada to June 21st
A tight, well-paced show, The No Bull$#!% History of Canada rips through 600+ years of history in what feels like ten minutes.
Given the vast timespan explored in what is actually just under an hour, it’s impossible . . . → Read More: Art Threat: Montreal Fringe: The No Bull$#!% History of Canada and Bar Kapra the Squirrel Hunter: No-bullshit reviews
Hue Man: He Volution
An exploration of socially constructed male gender roles through puppetry and video art, Hue Man: He Volution is an interesting concept that doesn’t quite work.
The pre-show here includes a PowerPoint presentation about sexist terms that need to be retired, all of which pertain to concepts of masculinity. This is the . . . → Read More: Art Threat: Montreal Fringe: Hue Man & The Dysmorphia Diet
God Is A Scottish Drag Queen II
Where this God is concerned, nothing is sacred.
Essentially an hour of stand-up performed by Mike Delamont in character as a Scottish incarnation of God in a floral power suit with a list of religion-related talking points, God Is A Scottish Drag Queen II changes focus from one . . . → Read More: Art Threat: Montreal Fringe: God as Drag Queen, Big Gay Weddings, and Peeing on Stage for Poverty
“Butt sex should never be a surprise.”
So begins the very catchy tune that opens Chlamydia dell’Arte: A Sex-Ed Burlesque. Alternating skits and burlesque numbers with vox pop video segements, this show aims to “educate through laughter”, and to some degree it succeeds.
The safe sex aspects of the show are largely limited to condom . . . → Read More: Art Threat: Montreal Fringe: Chlamydia dell’Arte: A Sex-Ed Burlesque
Project Gingervitis is a smart, funny take on discrimination, eugenics, geopolitics, and media manipulation. A one-man show written and brilliantly performed by Jordan Lloyd Watkins and set in a dystopian future, the show tells the story of a lone redhead born years after redheads were thought to have been eradicated.
A mix of . . . → Read More: Art Threat: Montreal Fringe: Ginger Slurs & Slut Shaming
Kitt & Jane: an interactive survival guide to the Near-Post-Apocalyptic Future is environmental activist theatre disguised as charming comedy and shadow play.
Created by the team behind the award-winning Little Orange Man, Kitt & Jane sees Kitt, still quietly mourning her grandfather’s death, teamed up with Jane (real name: Lucas) to inaugurate their school’s new . . . → Read More: Art Threat: Montreal Fringe: Kitt & Jane guide us through the ecological apocalypse
Our Creation, Existence, & Destruction in 55 Minutes is a one-man show from recent John Abbott Theatre grad Ian Geldart. Supported by stage manager Natasha Gabriella Trepanier in minor speaking roles and the work of animator Dylan Alberts, Geldart sets out to explore the big picture laid out in the show’s title.
The idea . . . → Read More: Art Threat: Montreal Fringe: Our Creation, Existence, & Destruction in 55 Minutes
My Playwright Sister, written and performed by James Diamond and Johanna Nutter, is a sequel of sorts to Nutter’s earlier work, My Pregnant Brother.
My Pregnant Brother sets Nutter’s struggle to assert herself against her instinct to help her pregnant, transgendered brother. While this autobiographical piece is exquisitely well-performed, it has also been the . . . → Read More: Art Threat: My Playwright Sister: a play about a play about a transgender sibling
With six internationally acclaimed albums and a well-received book of poetry to his name, Rodney DeCroo is turning his talents to the theatre. I met with Mr. DeCroo in Vancouver at a Commercial Drive café in late August and talked with him about his current project.
Allegheny, BC, directed by Jane Heyman, is a . . . → Read More: Art Threat: Allegheny, BC: transformative theatre that shirks corporate culture
I am no stranger to war history or art history, having studied both in some depth at university. So the idea of attending a play based on Pablo Picasso’s painted representation of one of the most destructive acts in the period between the world wars, the bombing of the small Basque town of . . . → Read More: Art Threat: Guernica brings Picasso’s grotesque cubist forms to life through theatre
Thanks in large part to the hyper-mediated and celebrity-driven character of the contemporary LGBT movement, the issue of queer youth suicide has rightly found its way into the public spotlight. Stories of young queers taking their own lives as an escape from bullying have become tragically commonplace in recent years.
This newfound attention, . . . → Read More: Art Threat: First Day Back tackles queer teen suicide
The Troubles (Resounding Scream Theatre)
The Vancouver International Fringe Festival is underway in Canada’s westernmost metropolis, with 97 shows on offer during a program that lasts over two weeks. This year there are several plays that tackle political issues, touching on themes like human trafficking, homelessness, teen suicide, bilateral relations, war, resource . . . → Read More: Art Threat: Vancouver Fringe brims with political plays
So this one Quebec MP, who is a capable politician in his own right, who has spoken at hundreds of Liberal fundraisers over the years, has national branding from his father, and has, over the last while, began to finally eke out his own brand, has said no to running for the Liberal leadership. Not . . . → Read More: CalgaryLiberal: Should JT Run?
Warning: This post will only make sense to you if you follow the recurring adventures of the characters discussed in it as they try to save our nation and the world as we know it from imminent destruction…it will also help if you watch Fringe.
I’m watching Fringe tonight and we all know Fringe is . . . → Read More: Pop The Stack: Canadian Election: Fringe Edition